Since the delivery of debut album Wolf (2011), Cash Savage and her band The Last Drinks have covered a lot of ground – personally, metaphorically and geographically. This time around, they entered the studio with their pick of Melbourne engineers, Japanese-born Nao Anzai, and Nick Finch on board as producer, and commenced recording with none of the preconceptions that framed Wolf.

Having spent the gulf between albums on the road - taking in country theatres, time-honoured urban venues, as well as the Famous Speigeltent, Meredith Music Festival, Port Fairy Folk Festival and the willow-shrouded Riverboats Music Festival alongside Pete Murray, Clare Bowditch, Archie Roach and James Reyne - the once fluid Last Drinks line up has successfully solidified.   Backed by a solid and well-oiled band, Cash shared the reins for album number two. She handed songs to her trusty troupe and the album took shape collaboratively. The result is the sum of drunken kinship polished with hard yards, while retaining the soul for which Cash is renowned.

The anticipated record will prove an incredible suite of stories: a family forced to give up a farm they love, but can't keep; loveless marriages, messy breakups and the hypnotic pull of unexpected attraction; the death of a beloved companion; and the dangerous meeting of an unsuspecting Samaritan and a hitchhiking arsonist.

But the true Cash Savage experience takes place on the stage, where the singer thrives on her audience, affecting crowds from country and city alike with a tonic of honesty, sincerity and raw emotion.

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